Zella Day

ZELLA-DAY

BioThe sound of strumming guitars; the feel of soft, wet clay; the scent of fresh brewedcoffee: this was Zella Day’s childhood. Secluded in the quaint mountain town of Pinetop,Arizona, Zella’s creativity flourished with the forest at her doorstep. High above PhoenixValley, Pinetop holds a population of 7,000, and Zella’s family-owned Mor Mor CoffeeHouse was an only sanctuary for artists. Surrounding herself with local musicians, Zellawas inspired to pick up the guitar at the young age of nine. Before long, the blossomingchanteuse started performing sets including Bob Dylan and Elvis songs – selectionsinspired by her coffee house family.

The native Arizonan had found a calling in music and used it as a form of selfrealization,penning her experiences and discovering herself through the intricacies of song. She drew inspiration from the serene Arizona mountains and turned to Clint Eastwood, old Western films, and cowboy rebel culture to help shape the attitude behind her music. The result is a raw, organic sound unconfined by the boundaries of genre. It effortlessly floats between the tonalities of female frontier-maker Stevie Nicks and art pop songbird Lana Del Rey while invoking imagery painted by Old Arizona and a free-spirited perspective.

Her upcoming self-titled EP is the ideal introduction to Zella, both as an artist and as awoman. The four-track collection showcases her Western Bohemian persona,juxtaposing the crunching drum machines and menacing electronics of its single,“Sweet Ophelia,” with chiming keys and soaring melodies in its lead-off track, “East OfEden.” Though sonically diverse, this debut encompasses all that the musician is. Eachsong comes straight from the heart as she sings about her love of Arizona (“Compass”),the strength of women (“Hypnotic”), and what it’s like to grow up with a rebellious soul.

Consequently, it’s not surprising the cover artwork features Zella standing in front of avibrant yellow backdrop. Like the songs themselves, the pop art-influenced coverillustrates the songstress’ perception of the world and femininity with what she calls“fully clothed sexuality.” Drawing from the examples of beauty in Zella’s life, the imagery is both sensual and proper (the only skin revealed is her face) and yet anothertestament to the importance of girl power that engulfs this album.